![](https://images.squarespace-cdn.com/content/v1/5b6434c4710699360ad4b4ef/1533654749819-N6G74GXRLDII61K88QSS/xenakis_portrait.jpeg)
![13404014_1042115502517049_912870043751471294_o.jpg](https://images.squarespace-cdn.com/content/v1/5b6434c4710699360ad4b4ef/1533739338520-NQOAYGT8CN6DV38PEAFV/13404014_1042115502517049_912870043751471294_o.jpg)
![13323371_1042115099183756_2450472836657393935_o.jpg](https://images.squarespace-cdn.com/content/v1/5b6434c4710699360ad4b4ef/1533739357239-2TPBG6A6FAYSY6S3Q1TQ/13323371_1042115099183756_2450472836657393935_o.jpg)
![13340192_1042115145850418_6263548473776655931_o.jpg](https://images.squarespace-cdn.com/content/v1/5b6434c4710699360ad4b4ef/1533739393263-ZW6CT58LTMP3EP6L4950/13340192_1042115145850418_6263548473776655931_o.jpg)
![](https://images.squarespace-cdn.com/content/v1/5b6434c4710699360ad4b4ef/1533654749819-N6G74GXRLDII61K88QSS/xenakis_portrait.jpeg)
Hommage À Xenakis
Type: electro-acoustic
Year: 2016
Premiere: Insight series, 4th June, 2016, Smock Alley Theatre with lighting design by Slipdraft.
Duration: 7’
Fixed media acousmatic work
This work was very much influenced by the Greek-French composer Iannis Xenakis. I approached the piece in a physical manner, initially sketching it in terms of line and shape. Three distinct sections emerge from this plan, however, a continuous line works its way through the piece from the low rolling bass sounds at the beginning to the undulating strands at the end. It is in a musique concrete style, using a combination of synthesized elements and recordings of jetplanes, amongst other things as the base material.
Photo above: Iannis Xenakis
Accompanying photos: by Ste Murray